Thursday, 17 April 2025

Best Bestseller?

I'm told that THE BOOK THAT HELD HER HEART will appear in 6th place on the upcoming Sunday Times bestseller list!

Which ain't bad on a partial week's sales and competing with books from subscription boxes.
Well done Harper Voyager UK for getting it out there.
The graphic shows my previous efforts. And whilst The Library Trilogy definitely isn't my bestselling work (that's The Broken Empire trilogy), it certainly has potential to do well.

The books don't have a tremendously high average score on Goodreads, but I feel that's because they're more literary than my previous work, and that always leads to lower scores. Moreover, as with The Broken Empire, the people who like these books REALLY LIKE these books. The storyline drew in a number of readers because of the romance elements, but these were never romance books and I hope they leave the readers with more enduring memories along with questions that they will return to.

If I had to guess which of my books people will still be talking about at some point a decade or two in the future, it would be these ones.






Saturday, 12 April 2025

The Locked Library

The Locked Library are a part of my UK editor, Voyager, that produces fancy editions to give away in subscription boxes. For the boxes, these will be book 1s if they are from series. But for my Library Trilogy, they made follow-ups for book 2 and book 3 that could be ordered from them (all sold out now).

Here they are, with the excellent covers and book end art by Tom Roberts.

The only thing not shown are the author letters in each.





 










Thursday, 10 April 2025

The Book That Held Her Heart is out!

 


Book 3 of The Library Trilogy is in the shops on both sides of the Atlantic now!

I've sent out the news letter, saturated my social media, signed a ton of books, don't The Big Idea on Scalzi.com - in short, I've pulled all the levers available to me, and it's in the gods hands now.

A lot of the burden of marketting falls on authors these days, but in the end there's only so much to be done. The publishers get it on bookshop shelves, and the primary engine of book sales after that initial push is readers recommending the book to readers. Readers talking about the book. Readers putting it on their social media.

Books need a ramp to take off - the best book in the world can die if it doesn't get that critical mass behind it to make the readership start taking notice. But after that, whether it will fly far depends entirely on the public.

I've launched the last of the trilogy, and I'm on to the next!

2026, 2027, and 2028 will see the release of the Academy of Kindness trilogy, starting with Daughter of Crows. A dark tale that veers closer to vibe of The Broken Empire than any of my trilogies since we waved Jorg a fond farewell.



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Sunday, 6 April 2025

Elves, dwarves, & orcs, oh my!

I'm a huge Tolkien fan, by which I don't mean that I can write elvish or remember the family trees implicit in the Silmarillion, though I can recite some of the songs from Lord of the Rings...

I'm a huge fan in that the story of JRR told owns a significant chunk of my heart and that the landscape of my imagination will always be mapped, at least in part, with Tolkien's iconic mountains, trees, and hills.


So, I'm in complete sympathy with those readers who want MORE. The ones who want more of that sense of awe and gravitas and scale, sprinkled with individual lives that matter.

My mother read me Lord of The Rings when I was 7 and I've read quite a few attempts to rebottle that lightning over the course of my lifetime. I read Terry Brook's homage (The Sword of Shannara) when I was 13 and it scratched at the itch without relieving it. I did enjoy the book at the time.

Many of the books that I've read which appear to want to build on / exploit / honour The Lord of the Rings do so simply by throwing in elves, dwarves, and renamed orcs into a similarly open and conflicted world that shares the bucolic farmlands of Southern England along with the wild forests of Germany and the white-toothed Alps of France.

It's here where the attempts to recapture LotRishness fail for me. What brought elves and dwarves (and to some degree orcs) to life for me wasn't the pointy-eared handsome of the elf or the gruff practicality of the dwarf, it was that they were products of cultures that were in turn products of a history, and that it was a history that wasn't merely complex (a broken plate is complex). Tolkien's history for the world he created was a work of love, a work for its own sake, built over the course of many years and not to support a story. The story fell out of it as a by-product.

It feels (from the books I've read - which are only a small fraction of the elf/dwarf/orc fiction out there) that in pulling these races from the shelf for your novel you are then either forced to build your own history which will immediately be in competition with JRRT's in the reader's head, or to make vague swipes at a similar history/culture, these brush strokes being broad enough to avoid copyright/plagiarism whilst fine enough to benefit from riding the LotR wave.

To truly revisit the territory LotR opened up, I feel you would need to abandon elves, dwarves, and faux-orcs entirely and to construct something equally grand and deep using wholly new devices. Though this would of course limit your ability to stand on the bedrock of western myth.

I know that this has been done to some extent by various authors. But the ones I've visited have never really worked for me. Perhaps I need to be seven again in order to incorporate any book as deeply into my own personal mythology as I did The Lord of the Rings.


But, (and this is entirely personal), I don't think elves and dwarves and awks in anyone else's hands will ever light up the page for me.