Friday, 2 October 2015

Broken Empire special edition omnibus is up for pre-order!

All 52 of the leather-bound Broken Empire special edition omnibus, priced at $300 sold out in 9 minutes!

Don't despair though because the cloth-bound edition has the graphic design, the new Jason Chan art, the new Jorg short story, the signatures, and of course the three books, and is just $100. Also $10 of that $100 goes to the children's hospice charity (which is more than I make on each book).

Hurry though because the cloth-bound is also a limited edition and over 100 sold in the first hour so they won't be available for pre-order forever!

Pre-order here:

BUT WAIT, THERE'S MORE ... nah, just kidding.

Actually THERE IS MORE - if paypal have been messing you around please read this and try again!

Thursday, 1 October 2015

Dyslexics rule KO

A small epiphany today concerning my mild dyslexia. It occurred to me that it has quite possibly played a much bigger role in my life than I ever suspected.

When I was little my father affectionately called me Mrak, because that was how I spelled my name 50% of the time.

I had imagined that was pretty much the end of it. But now...

I am (with all due modesty) fairly clever. But for the first ten years or so of my life I didn't realize it. Early life at school is about reading, writing, arithmetic. If your spelling is terrible, you write your 3s like e's, and misplacing the numbers screws up your sums ... you don't form a particularly high opinion of yourself at primary school.

I may have gone on to do a PhD in mathematics and shown some talent as a word smith, but I suspect I would have been a different person if I had seen myself as particularly skilled in those areas at an early age. Even *more* arrogant probably!

Dyslexia is probably a factor in how slowly I read. And I think that perhaps reading slowly has given me a great appreciation for the language and for writing on the small scale rather than just at the story level.

Dyslexia is also a source of inspiration as often as irritation (at the level I have it). Very often part of one sentence swaps into the one above or below, or part of one word does the same. Normally it just leads to momentary confusion, but sometimes by changing the meaning it leads to a new idea.

The trivial and silly example that just prompted this train of thought was a photo of my own books on a bookstore shelf in Australia.

King of

is what I saw on the spine, but the shuffling of the letters gave me for an instant: King of Thongs.

King of Thongs! If I ever want to write a porn parody of the Broken Empire I'll start with Prince of Thongs. And that's how it goes. Not too useful in this instance ... but sometimes its a falling domino that sets off a long chain.

Sunday, 27 September 2015

Fantasy: What's new?

Modern fantasy has increasingly taken the war between good and evil away from elves and orcs, staging it instead within an individual's skull.

I am often asked by bloggers to offer words of 'wisdom' on the direction in which fantasy is heading. I refuse the question, like a horse before a ten-foot fence. I'm not a student of the genre - I read too few books to have a decent sample of what's going on. I'm not even sure that fantasy is heading in any discernible direction. It's more like a forest fire, advancing on many fronts, accelerating along some avenues only to burn out, sparks flying ahead to start new infernos in separate areas.

Any claim in this area can immediately be shot down with a barrage of counter-examples. The success of one type of fantasy doesn't mean that another is not still being written, not still being read.

However, my statement at the head of this piece seems to me to be broadly true. There seems to me to be an increasingly sophisticated approach to the ever-present goodies vs baddies theme. That certainly doesn't mean that you can't find books that did exactly this twenty or fifty years ago, or that you can't find a popular book published last month that pits the golden hero against the born-bad race. But on the other hand, it seems to me with my limited perspective to be one of the few generalizations you can make about the direction that the genre has been headed in and may well continue to head in. A generalization sharing the weaknesses inherent in generalizations (he generalized).

Wednesday, 23 September 2015

My Shameful Secret...

I raised a family of book-wolves.

I have been trying harder with special editions!

Monday, 21 September 2015

Zombie Evolution

For no real reason:

(click to see in more detail)

                                                         Happy to update / correct if new info comes to light...

(edit: with the 'infection zombies' there's a discussion to be had about whether they're dead or not and whether they count as zombies. I've decided that 28 Days Later is a zombie flick ... but it's true that others may consider World War Z to be the first real 'fast zombie' film)

Sunday, 20 September 2015


I'm a number-watcher, I admit it. And last night I got my 100,000th book rating on Goodreads. There was no phone call from the president, no medal awarded ... not even a special cake. But I'm in the 100K club!

Milestones are, if not an excuse for cake and medals, then an excuse to reflect.

I became a full-time writer a few months ago, not by choice, but it was a jump I had been building up courage to take, so being pushed wasn't too terrible a thing.

I never had any ambition to be an author. It wasn't a childhood dream of mine. Even when I sent the Prince of Thorns manuscript to a handful of literary agents several years after writing it I wasn't thinking in terms of becoming an author. It was just what you did with a manuscript once you'd written it and enough friends had pushed you hard enough in that direction.

I have always been a reader of fantasy though. As a reader I honestly never thought about the authors - they were just connecting names on the front of books. I wasn't part of any fandom, and when the internet rolled around it never occurred to me to seek out fellow genre fans.

I did, however, take the stories themselves very much to heart. Many of the character and places I read about are part of the landscape of my imagination. Which really means that decades down the line they are part of who I am.

That 100,000 ratings means that 100s of 1000s of readers have read my work. And of them a good number have really enjoyed it. And of those, some core number will have read one of the books at just the right time in their lives when the character or situation can strike some deep chord with them, and for those people I might actually have written a book that becomes part of who they are. My books might be for them what my heroes of fantasy's books are for me.

And that's pretty amazing.

I find myself in an unexpected and privileged place, and every now and then it's good to pause, look around me, and realize it. One hundred thousand ratings is, if nothing else, a good excuse to do just that.

Sunday, 13 September 2015

A little ideas shop in Bognor Regis

If you google "where do you get your ideas from" you'll find hundreds of pieces by writers telling the world that ideas are the easy part. The top hit is from Neil Gaiman and the title to this blog post comes from his piece.

So I'm not being original here, but since I typed all this out today in reply to someone with an idea but no writing experience I thought I'd make double use of it. Today's inquiry did add "ha ha" after the suggestion that perhaps I write the book and they simply collect royalties for supplying the idea - but I've certainly had straight-faced proposals for going 50/50 before. The other party would give me the idea, I would write the book, they would collect half of any profit.

The difficult thing about writing a book is writing it. Using the language in a way that makes the images and emotions in your head appear in someone else's. Sentence by sentence it's difficult and requires a natural talent honed by a *lot* of practice. Chapter by chapter it's difficult, requiring the plot and pacing to keep the reader with you. You have to grow people on the page, people who are not only realistic enough to suspend belief but fascinating enough to stop the reader wandering off to watch sport, play video games, put on a movie, or spend the day Facebooking or watching cats on youtube.

None of that's easy. When someone comes to a writer with an idea, offering to go halvsies or thinking they've broken the back of the job and now just need to finish off by getting the words down (as people often do) it's a bit like going up to a sculptor and saying 'I've got an idea for a statue, it's an angel spreading its wings, but the clever bit..' and assuming that the job of cutting the form from the stone and making the description into something concrete is just a formality (or at most, half the effort). It's almost like going to NASA with a suggestion of which planet / star / asteroid they should visit and considering that to be a substantial contribution to the resulting voyage. Ideas are like that, they're like destinations. There's a galaxy of them twinkling in the darkness. Pointing at one is easy. Building the rocket and getting there in one piece is hard.

The only advice I have - and it's rarely welcome because it involves a huge amount of hard work and guarantees no success - is that if you've never written before, you need to start. There are cases of people sitting down and writing a good book just like that, but there are also cases of people being born with two heads. It's overwhelmingly likely that you would need to write, solicit feedback, write more, write again, and keep doing it until you got good enough for people to demand your work rather than suffer it. Short stories are a great medium to improve your writing in as they don't require months or years of effort on the writer's part and only require minutes rather than days from the reader. I found it important to see the impact of my efforts so I knew what worked. So I joined online critique groups and shared short stories. I did that for for a little bit, wrote a bad book, did it for several more years, wrote an OK book, did it for a couple more, and wrote Prince of Thorns. And before writing my first short story I had been writing in various other forms for decades.

Essentially it's a labour of love. If you don't love writing - just for its own end - then you're probably better off doing something you do love.