Wednesday, 14 May 2025

SPFBO Champions' League!

After 10 years we have 10 champions. So, the only logical thing to do is to line them up on a board and have a champions' league!

All 10 champions have been great sports and volunteered to take part.

The book that comes 10th in this contest will be 10th out of the 3,000 books to have entered the SPFBO. So don't feel bad for them. It's an extraordinary accomplishment.

Here they are in the order they won, from The Thief Who Pulled On Trouble's Braids (2015) to By Blood, By Salt (2025).


The judges / judging teams are shown and linked on the orderboard further down the page. 

They are free to work to any timescale within the 6 months alloted (June 1st - December 20th), and can review individually or in batches.

There will be no scores!

The only requirement is that as they review each book they must place it on the ordered list they're compiling and say where it fits among the books they have already placed.


The 10 orderings will be combined into an overall ordering and the book at the top of that ordering at the end of the contest will be the champion of champions!

There will be a trophy - possibly trophies - we're working on that.


For more about the contest in general and for info on SPFBO 11 - check the main page

 Ten Years!



The Current Order!

Initially Chronological

Updated as results come in.

This will be highly volatile - expect change!





Monday, 12 May 2025

SPFBO 10 has a winner!

The 10th annual Self-Published Fantasy Blog-Off is over!  #SPFBO #SPFBOX

After 11 months of hard labour by ten wonderful blogs, 300 books were whittled down to 10 finalists and then to 1 champion. 

And here it is!



And here it is in with the Selfie-Stick award prior to shipping to J.L Odom in the States.



I've started reading my copy and after 36 pages I can say that I adore the writing. If the story is there to match the prose then it will be one of the very top SPFBO books I've read.

Do check it out. The book has had very few readers, so it's exactly what this contest was set up to find - a wonderful fantasy book that might well have been entirely overlooked without some way to focus attention on it and get the ball rolling!



Please check out the finalists' score-board. It was the tightest contest we've ever had and there will be something you'll enjoy here.


And if you have a self-published fantasy book of your own, the next contest - the 11th annual SPFBO (SPFBOXI), opens its doors to contestants in January 2026. Take a look!




 

Thursday, 17 April 2025

Best Bestseller?

I'm told that THE BOOK THAT HELD HER HEART will appear in 6th place on the upcoming Sunday Times bestseller list!

Which ain't bad on a partial week's sales and competing with books from subscription boxes.
Well done Harper Voyager UK for getting it out there.
The graphic shows my previous efforts. And whilst The Library Trilogy definitely isn't my bestselling work (that's The Broken Empire trilogy), it certainly has potential to do well.

The books don't have a tremendously high average score on Goodreads, but I feel that's because they're more literary than my previous work, and that always leads to lower scores. Moreover, as with The Broken Empire, the people who like these books REALLY LIKE these books. The storyline drew in a number of readers because of the romance elements, but these were never romance books and I hope they leave the readers with more enduring memories along with questions that they will return to.

If I had to guess which of my books people will still be talking about at some point a decade or two in the future, it would be these ones.






Saturday, 12 April 2025

The Locked Library

The Locked Library are a part of my UK editor, Voyager, that produces fancy editions to give away in subscription boxes. For the boxes, these will be book 1s if they are from series. But for my Library Trilogy, they made follow-ups for book 2 and book 3 that could be ordered from them (all sold out now).

Here they are, with the excellent covers and book end art by Tom Roberts.

The only thing not shown are the author letters in each.





 










Thursday, 10 April 2025

The Book That Held Her Heart is out!

 


Book 3 of The Library Trilogy is in the shops on both sides of the Atlantic now!

I've sent out the news letter, saturated my social media, signed a ton of books, don't The Big Idea on Scalzi.com - in short, I've pulled all the levers available to me, and it's in the gods hands now.

A lot of the burden of marketting falls on authors these days, but in the end there's only so much to be done. The publishers get it on bookshop shelves, and the primary engine of book sales after that initial push is readers recommending the book to readers. Readers talking about the book. Readers putting it on their social media.

Books need a ramp to take off - the best book in the world can die if it doesn't get that critical mass behind it to make the readership start taking notice. But after that, whether it will fly far depends entirely on the public.

I've launched the last of the trilogy, and I'm on to the next!

2026, 2027, and 2028 will see the release of the Academy of Kindness trilogy, starting with Daughter of Crows. A dark tale that veers closer to vibe of The Broken Empire than any of my trilogies since we waved Jorg a fond farewell.



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Sunday, 6 April 2025

Elves, dwarves, & orcs, oh my!

I'm a huge Tolkien fan, by which I don't mean that I can write elvish or remember the family trees implicit in the Silmarillion, though I can recite some of the songs from Lord of the Rings...

I'm a huge fan in that the story of JRR told owns a significant chunk of my heart and that the landscape of my imagination will always be mapped, at least in part, with Tolkien's iconic mountains, trees, and hills.


So, I'm in complete sympathy with those readers who want MORE. The ones who want more of that sense of awe and gravitas and scale, sprinkled with individual lives that matter.

My mother read me Lord of The Rings when I was 7 and I've read quite a few attempts to rebottle that lightning over the course of my lifetime. I read Terry Brook's homage (The Sword of Shannara) when I was 13 and it scratched at the itch without relieving it. I did enjoy the book at the time.

Many of the books that I've read which appear to want to build on / exploit / honour The Lord of the Rings do so simply by throwing in elves, dwarves, and renamed orcs into a similarly open and conflicted world that shares the bucolic farmlands of Southern England along with the wild forests of Germany and the white-toothed Alps of France.

It's here where the attempts to recapture LotRishness fail for me. What brought elves and dwarves (and to some degree orcs) to life for me wasn't the pointy-eared handsome of the elf or the gruff practicality of the dwarf, it was that they were products of cultures that were in turn products of a history, and that it was a history that wasn't merely complex (a broken plate is complex). Tolkien's history for the world he created was a work of love, a work for its own sake, built over the course of many years and not to support a story. The story fell out of it as a by-product.

It feels (from the books I've read - which are only a small fraction of the elf/dwarf/orc fiction out there) that in pulling these races from the shelf for your novel you are then either forced to build your own history which will immediately be in competition with JRRT's in the reader's head, or to make vague swipes at a similar history/culture, these brush strokes being broad enough to avoid copyright/plagiarism whilst fine enough to benefit from riding the LotR wave.

To truly revisit the territory LotR opened up, I feel you would need to abandon elves, dwarves, and faux-orcs entirely and to construct something equally grand and deep using wholly new devices. Though this would of course limit your ability to stand on the bedrock of western myth.

I know that this has been done to some extent by various authors. But the ones I've visited have never really worked for me. Perhaps I need to be seven again in order to incorporate any book as deeply into my own personal mythology as I did The Lord of the Rings.


But, (and this is entirely personal), I don't think elves and dwarves and awks in anyone else's hands will ever light up the page for me.








Friday, 14 March 2025

10 Years Full-time!

It is (give or take a fortnight) 10 years since I became a full-time author!

I was made redundant 😮

The story is here: https://mark---lawrence.blogspot.com/2015/04/redundant.html

I had, of course, been a part-time author for 4 years before that, since Prince of Thorns was published in 2011. 

All in all, it was a good move, albeit one that circumstance kicked me into. When you have a mortgage and children - one of them profoundly disabled - it's nerve wracking to exchange a regular paypacket and a (seemingly) stable job for uncertain piecework. Against the odds though, it has worked out so far, and for that I am very grateful. 

I've now been published by 36 different publishers in 28 languages and have sold over 3 million books worldwide.

In English Prince of Thorns has sold 720,000 copies - the UK paperback is in its 31st printing.

54% of those sales have been via my US publisher, 46% via my UK publisher.

I remember reading my contract back in 2010 and seeing a clause that marginally increased my royalty on any sales after 100,000 copies. I snorted at that line. It seemed so abstract. They might have well have added, 'And if aliens land it will go up to 10%'. I genuinely thought I would sell at the very most 5,000 copies. And it was a reasonable upper expectation.


You can never tell what will happen next, good or bad.

Very many thanks to all the readers who have kept picking up my books and who have thereby sustained me for the past decade. It's much appreciated.


My publishers!


UK    Harper Voyager

US     Penguin / Ace

Australia    Voyager Australia

Bangladesh    Paper Voyager

Brazil    Darkside Books

Bulgaria    Bard Publishing

Canada    Penguin/Ace – Canada 

China    ChongQing

Czech Republic    Talpress

Egypt    Bayt el Kotob

France   Bragelonne 

Germany   Heyne for The Broken Empire

FISCHER Tor for Book of the Ancestor

Georgia    Palitra L

Greece   Cryssalis Books

Hungary   Fumax

Indonesia   Ufuk Press

Iran Behdad Publications

Italy   Newton Compton

Latvia   Prometejs

Lithuania   Versus

New Zealand   Harper Collins / Voyager – New Zealand 

Poland   Papierowy Ksiezyc

Wydawnictwo MAG for Book of the Ancestor

Portugal   20|20 editora

Romania   Editura Trei

Russia   Fantastica for Broken Empire and The Red Queen’s War (CANCELLED)

Atticus for Book of the Ancestor (CANCELLED)

Serbia   Laguna

Spain   Minotauro

Redkey Books for Impossible Times

Thailand   Nokhook Publishing

The Netherlands   Luitingh-Sijthoff

Taiwan Fantasy Foundation Publications, a division of Cite Publishing

Turkey   Pegasus Yayinlari 

Ukraine   Ridna Mova 








Tuesday, 11 March 2025

Early copies ... I have a handful!

One month from now The Book That Held Her Heart will be on bookshop shelves in the US and UK.



Here's the complete set along with Missing Pages (the short story collection).





And The Broken Binding limited edition (sold out) with purple edges!



And the UK edition!


And here, for good measure, is the whole of the US dustjacket.


Time to get excited! And also to pre-order 😃








Saturday, 8 March 2025

Great Expectations.

Writing is delightful and rewarding hobby.

Writing is a brutal and heartbreaking business.


Some of you will be familiar with the eponymous Dickens classic in which Pip, our young hero, is without warning lifted from grinding poverty and brought into a life of luxury where his horizons rapidly expand. Only to be unceremoniously shoved to the kerb once more - all of it controlled by forces beyond his control or even understanding.

There are a great many writers hoping for a publishing deal. Many of those reading this blog post will be among those legions. It will be hard to stir among such frequently disappointed souls any measure of sympathy for those happy few who against all odds do pass through the hallowed gates of agent and publisher onto the shelves of bookshops.

But, in truth, the disappointments of the querying author are small beer compared to the Pip-esque journey that very likely lies ahead of them if they do get published.

The querying author is typically only built up by their own enthusiasm before their many rejections. The published author gets to fail believing a spotlight to be on them and themselves the vessel of the publishers' hopes and fortunes, not to mention their own. They've been given lightning in a bottle. Surely they won't let it slip through their fingers?

And here are the sad facts:

Publishers take on many more new authors each year than persist into long term writing careers. In fantasy if you sign with a big publisher you'll typically get a three book deal, these will sell disappointingly, fizzle, and you won't get another contract. That's not failure - it's the norm.

It's also not your fault. Success depends on a great many factors beyond your control, and writing a great book was the entry stake in the poker game, not the pot-winning hand.

Publishing is primarily a "throw it at the wall and see what sticks" game. Obviously they put as much thought as they can into choosing what to throw - but if people knew how to spot successful books then those people would own super yachts and Harry Potter would not have been rejected a dozen times.

The publisher expects most of what's launched to sink. They have faith in each book but know that the sea of statistics is a rough one.

The author isn't in charge of this ship's rudder and whilst the publishers may have set the sail, you're really at the mercy of unknown currents.

Your book needs to have whatever the big vibe is at the moment it lands or to light the already in place tinder for the next big vibe. It needs to be crack to those readers. It needs to find people with loud voices to sing its praises. It needs to be adopted by influential communities. It needs to make the reader not merely smile with satisfaction and reach for the next book but to trample their TBR pile in their rush to tell other people about THIS book.


I advise people to write as if writing were a hobby. If I enjoy painting minatures or crocheting stuffies, I will spend many happy hours doing so. I won't expect to make a living at it. I won't quit my day job. I won't look back and think of all that wasted time and failure. That's what a hobby is - an end in and of itself.

If the finger of some benevolent god stretches through the clouds to point at you and you get a publishing deal then your mental health and wellbeing will be best protected if you think of it as I did when it unexpectedly happened to me. It's a blip in the Matrix, I thought. If these publishers want to give me money ... hooray! I'm not responsible for what happens next. I fully expected my first book to sell a thousand copies, maybe three thousand since it had a big publisher behind it. The next two would sell successively fewer (and they did) and that would be my 15 minutes of "fame" over and done with. The kind of fame where nobody knows who you are and the only people who are impressed are a small subset of your friends and family.

This is the reasonable approach. It's in line with what is statistically likely to happen.   

It can go differently, but don't expect it to, and absolutely don't consider it to be a personal failure if that happens.

You'll probably feel better about it if you did all you could to move the needle. Do interviews, start a blog, post pictures on social media etc. But in the end, I don't think any of these activities amount to much more than rearranging the deck chairs. It won't help you avoid the iceberg. You might, by luck, evade the iceberg - but it almost certainly wasn't because you made a fool of yourself on TikTok (which I do occasionally).

The process of being published raises your expectations, and if you're not very careful about it they will soar skywards. The process of selling books will very likely yank you back down to earth. It's better not to have allowed yourself to float too high at that point.













Friday, 7 February 2025

How much engagement do I get on my various social media?

Here's the same post on 4 different social media platforms. First after an hour on each.


Those are follower/like ratios of:

Twitter --- 5,300

Bluesky --- 550

Threads --- 400 

Facebook --- 3,400


And after 4 hours this had become:


Twitter --- 3,700

Bluesky --- 366 + 2 reposts!

Threads --- 327 

Facebook --- 785


So Twitter is by far the worst for engagement. And even with 37,000 followers it was the worst in absolute terms too.

Bluesky was the best, but surprisingly Threads was also very good.

Facebook is largely garbage these days.

This was this morning's feed and it's typical for what I see:

1. Adverts for groups I might like
2. random account it wants me to follow
3. random account it wants me to follow
4. advert
5. random account it wants me to follow
6. Friend post
7. reels from random accounts
8. random account it wants me to follow
9. advert
10. random account it wants me to follow
11. random account it wants me to follow
12. Friend post
13. random account it wants me to follow
14. advert

With over 10,000 friends and followers I get very little engagement, and it's clearly being deluged in this never ending stream of "follow this" rubbish that's pushing people away. It's not rocket science, but apparently it's too complicated for Mark Zuckerberg. If it was just the adverts ... well ... ok. But why shove all these random people/pages down my throat when what I want to see is the people I have chosen to friend?