Tuesday, 25 November 2025

Mortality

I often speculate on mortality - it might be a writer's curse, or just 'my thing', but I can't walk through a graveyard without thinking about the people beneath the ground, the lives reduced to dates and a "Beloved".

The grave that inspired a scene in King of Thorns.
(photo: Chris Meadows)

It's a subject that people come to dwell upon as they grow old, but it's one that I've always thought about. I have no spiritual or religious beliefs. The idea that the rest of existence will proceed without me, just as the many billions of years that preceeded me did, with no impact, is not intellectually difficult - but emotionally, it's a poser that calls into question issues of what, if anything, matters.

It's an idea that I have touched on in my books, none more so than Daughter of Crows, which features a main character in her sixties, only a little older than me, and has her consider (though not dwell upon) what has passed, what's to come, the significance of it, and both the indignities and benefits of age.

(photo: Mitriel Faywood)

Today was the memorial service for an old friend of mine who I'd not seen for many years. Jean-Claude Lebon was 62. His 21st birthday party, which fell very close to my own birthday and which I attended at age 18, was the first "proper" party I ever went to.
    We called him John (it was how he introduced himself) - though he would lean into the Jean-Claude when wanting parallels with Jean-Claude Van Damme (it was the 80s after all) and the Lebon when Duran Duran (lead singer Simon Lebon) came up. 
    He was, like almost all my friends, a great extrovert. Generally speaking, it takes a gregarious, relentlessly cheerful person to batter their way though my innate reserve and make a connection. He was a cool cat, he knew dancers (through Jean-Marc, one of his three brothers), he was a black belt in karate, he was funny, friendly, welcoming, generous, and (this is important) slightly geeky. 

a power nap during partying

Back then he worked on the computer games counter in WH Smiths and he'd carved a figure of a spear wielding Greek-style warrior a good 18 inches tall. If he'd been a little less popular and had slightly fewer calls on his time, I feel that he might even have played D&D with us. An idea that I fictionalised in the Impossible Times trilogy where I called on aspects of all four brothers to make one character.
    Under different circumstances I would have gone to his (packed) memorial and cried along with old friends - grey beards and gray hair now (where any remains). But I'm in hospital with my youngest (by some margin) child, who is, at 21, the same age that I first met John at.
    Today, the doctor gave us the grim 'talk' about Celyn's prospects over the next week. We've had that talk before and she's still here, but it's always sobering. So, yes, mortality is coming at me from all directions.
    If I could have told John when he turned 21 that he would make it to 62, both of us would probably have considered it a fine innings. He might have said that even his father (in whose home we were partying) was still 21 years or so from that grand old age. But at the other end of that tunnel, I can say that John deserved more, had more to give, and that like his brother, my friend George, he was taken far too soon.
    I walked around the catacombs in Paris a few months ago. Above the entrance it says "Stop. This is the empire of the dead." The bones of literally millions of people are stored there, banked against walls of skulls.


It's strangely overwhelming and underwhelming at the same time. As if the raw quantity of it somehow trivalises death - or certainly provides a new perspective, reminding us that it comes to all. The remains are totally annonymous. Famous people lie intermingled with the masses, good men with bad, women of genius with others you might have run a mile from. It presents death as the great leveller. And again, it prompts many questions to which I have no answers.

I mourn the passing of my friend. I fear the passing of my loved ones. And for myself I am scared of the process, and filled with a great wondering 'why?' about the whole business of being alive. However, until such time as I can no longer do it, I will continue to enjoy my life as much as I can, and give thanks for Jean-Claude Lebon, the man who taught this younger, far more geeky, much less cool teen to party.


















Saturday, 8 November 2025

Iceberg Fantasy


The fantasy iceberg is world, history, character. The greatest proponent of it is JRR Tolkien. He gave us a one fat book (in three volumes) that over three hundred million of us lost ourselves in. Middle-earth felt big, it felt old, the characters felt as if they extended beyond the pages, had lives before we met them, personal histories that fit intimately and intricately into the world and mattered to both.

With Tolkien we know that this wasn't 'mere' illusion. There genuinely was a huge world with a history stretching back across the eons. He knew the lineage of the characters in Lord of the Rings. He knew what their great grandfathers were up to, he knew where the monsters came from and why, he knew who forged which sword and when, he knew the grammar of the languages we glimpsed in snatches, he knew the alphabets of their script... The man had enough of the world set down in notes and letters for his son to publish a whole other fat book that he hadn't intended to see the light of day - as with the iceberg it was the hidden bulk, lying beneath the surface and anchoring what we saw.

Undoubtedly in the hands of a great writer such a wealth of hidden detail adds value - it's an extra reality in which the story and characters are bedded, ensuring consistency, adding richness in the glimpses we see of it.


If your book is your life's work, your obsession, you can afford to do this. Be warned though - doing it doesn't assure you of a great book. A well told tale requires far more than this. You can know the genetic code of every character and still produce an unreadable mess.

The closest I've seen someone come to Tolkien's iceberginess is George RR Martin (though I've been told that the world building in Jordan's epic The Wheel of Time series, and in Erikson's Malazan are also impressive in scale).

Martin's A Song of Ice and Fire is haunted by old feuds, family history, folk tales, departed friends, departed races, legends, and faiths that stretch back through the years. There's never a sense that you've arrived at the beginning of a play and the lights are dimming as you take your seat - no - you've been dropped into a stream that was flowing long before you arrived and will continue its journey long after it's spat you out again. Even people who feel as if they have no real bearing on the story still have their own history, ancestors, feuds etc, providing motivation and depth, sometimes overwriting the smooth progress of the tale you think you're following and annoyingly (realistically) derailing you onto some unexpected course.

But ... is the rest of the iceberg there? Does it need to be?

Perhaps GRRM takes so many years to write his books because for each of them there's an unseen bulk of background material, floating there in the depths. Maybe one day there will be a 'Game of Thrones' Silmarillion. Or perhaps there's just a scaffold, a skeletal support propping up the edifice, just as when you step behind the stage sets for the TV series there's a mess of struts, plywood, paint tins, and four Irish workmen sitting down to a pot of tea.


The important question is really - does it matter if the rest of the iceberg's down there? I would suggest the answer is 'no'. We want to feel as if it's there, but if the writer has the skill to give the impression of all that hidden detail ... it's fine with me if it's not really there.

After all, many writers, myself included, produce a book a year. I'm often asked detailed questions about the Broken Empire - to which I answer: if it's not in the book there's no answer. I haven't filled in the countries on the map that weren't visited in the story. I don't know who ruled in this or that city before the current incumbent. I don't know what happened in this or that century. When it's important to the story I invent it. I work to create the illusion that a past exists (at least to the extent that it impinges on my young and focused protagonist). I work to create the illusion of other cultures, other agendas, other interests. I scatter lines that hint of folklore, tradition, and history. But I don't have notebooks full of the detail from which these snippets were harvested. I don't have the time and I don't work that way. I'm not creating a fully functioning world - I'm creating a story and the world is its support. My job is to make you believe its all there and if you swing your flashlight in the darkened room that is my book you will see something new. The truth is that if you swung your flashlight I would be busy painting the new stuff just moments before the light reached it.

I maintain that this is how the great majority of fantasy is, and that it is no bad thing.

There. I've said it. And the truth is that you probably didn't want to hear it. Just like most of us don't really want to know how the magician does his magic. When they show you how the lady is cut in half ... it's a bit of a let down. Better not to know. So let's pretend this blog never happened. Get back to your reading and enjoy!




More sales data!

I'm not sure who this might interest, but there are always a few people who ask the sorts of questions that are partly answered in the diagram below.

These are sales from Voyager (UK + New Zealand + Australia) and Ace (US + Canada), plus whatever either of them can sell around the world in English.

I'm published in nearly 30 languages, but the majority of my sales are in English and are shown below.

It's surprising that, with a population five times that of the UK, the US only buy a similar number of my books.


Sales data up to 2025 - UK (blue) + US (red)

US data lacks audio sales for first 3 trilogies


UK total = 1,716,000
US total = 1,619,000 (+ unknown US audiobooks for first 3 trilogies)

English total = 3,335,000 (+ unknown US audiobooks for first 3 trilogies)


Note: 
- You always expect sales to decline across a trilogy.
- The longer a trilogy has been out, the more time it has had to make sales - though most will happen early on.
- The third book of the Library trilogy had only been out 6 months when these numbers came in, and was not yet out in paperback.




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Wednesday, 22 October 2025

Social media engagement - of interest to authors!

So, I have a number of social media platforms where I've built up a significant following over the past 14 years as an author. The question is: how useful are they for getting the word out?

Yesterday I spammed the cover reveal for my next book, Daughter of Crows, over all my platforms.

I know that they all bury any post with a link these days - they want you looking at Twitter/Facebook/Threads etc, not other people's shit. So I always add a "link in comments" bit and ... as promised ... put the link in comments.

It seems they've wised up to this though and bury such posts as well, with varying efficiency.

Here are the platforms I used, the number of hits on the cover reveal from them, and number of followers I have on each.

The lesson is simple enough and needs no further explanation from me:





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Sunday, 19 October 2025

Wednesday, 8 October 2025

Three million in English!

I posted earlier this year that I was confident I'd passed the 3 million mark in global sales.


I made a call back to these posts:


Back in 2014 I posted about selling my first half million books

And at the start of 2016 I blogged to remark that I'd sold my first million.


& this graphic 



Now I can say that I don't need to make the numbers up with the sales from those countries where my works have appeared in 26 other languages.


I got figures from Voyager who publish me in the UK (also New Zealand and Australia). They sell a similar number of copies of my work to these locations as Ace do to America and Canada.

The total reported (since 2011) was 1,640,539 (and this is roughly half my total sales in English) ... which strikes me as a big number. I remember scoffing at the clause in my first contract that said my royalty rates would improve on any sales of the Prince of Thorns paperback exceeding 100,000. The notion that I would sell in excess of 100,000 copies of the trilogy in total across all formats seemed akin to my suddenly developing the power of flight.

Those sales break down across formats in the following way - though no doubt the manner in which they are increasing is diffent from that indicated by the underlying totals.


audiobooks:            246,000

ebooks:                   648,000

paperbacks:            635,000

hardcovers:            112,000




Anyway - thanks for sticking with me. And if I ever make it to 5 million, I'll let you know.




Friday, 3 October 2025

The rough/sketch for the Daughter of Crows cover!


Although excellent in its own right, this is merely Tom Roberts' rough for the cover. The finished article will be along the same lines but different and considerably more detailed.

The book (starting a considerably darker trilogy than my previous one) is out in April

Pre-order for the win!


UK

US








Monday, 18 August 2025

My top blog posts ever!

I've noticed that, if people come to a particular page of this blog following a link, there is a truly terrible level of discovery for the rest of the blog...

Witness:


24,822 visits to my most recent two blog posts in the past 24 hours and ... 55 visits to my 3rd most recent. The two were linked on social media and got traction. The hits on the third indicate that perhaps a third of a percent of visitors have looked past the page that they landed on.

So, here, to help you find other content on the blog that has proven popular in the past are my 10 most visited pages (the ones that have no SPFBO content at least):


A Guide To Lawrence

Grimdark. We're Nailing It Down!

The Biggest Fantasy Debuts In The Past Decade

The World's Best Selling Fantasy Books

My attempts to get sense from KDP

Writing on the numerical knife-edge.

No, stealing a book is not the same as borrowing from a library.

Which is my most successful trilogy?

Page 1 critique: Wizard's First Rule, by Terry Goodkind.

The extraordinary struggle to be heard.







 

Sunday, 17 August 2025

The AI vs authors results! (part 2)


Before you look at the results make sure to do the test!


So, before I get to the numbers and reveals I'll reiterate a few things:

i)  I hate that AI can do this.

ii)  These authors write books - typically long series - so flash fiction is not their forte.

iii)  Flash fiction is where AI does best - it starts to fall apart as the required work gets longer.


Some have questioned "why flash fiction"...

Answer: because you test things at breaking point. If I'm interested in what it takes to smash a window I don't throw 8 anvils at 8 windows and 8 ping-pong balls at 8 windows and say, "Welp, there you have it, anvils are 100% better than ping-pong balls." 

In the first blog post 2 years ago the performance of the authors and AI overlapped but the authors did better on the whole. So my guess was correct, this is where the AI performance starts to falter.

In the second blog post we revist to see what has changed with 2 years development. I found the results interesting.

If I could have got a meaningful number of people to read 8 twenty-thousand-word novellas (I couldn't) and I could convince busy authors to write novellas for an experiment (I couldn't) then we would clearly get a 100% result in favour of the humans ... and ... have learned very little about the state of play.


The contributing authors have sold around 15 millions books between them. And they are...


Robin Hobb

Janny Wurts

Christian Cameron / Miles Cameron

& me!


In terms of ratings - when we did this 2 years ago, the scores were low. Six of the eight entries scored 3* or less. The people I can attract to vote in this like to read books. Short stories are unpopular in comparison, and the shorter they get the harder it is to tell a good tale. The ungenerous will suggest it is simply because none of the entries were great - I feel it's because book readers rate short stories lower than books.

Two years later, five of the eight entries scored 3* or above. You can consider the results below to see if that was because the humans did better, or the AI did better, or both.


I have a Ph.D student on my patreon who constantly berates me for my terrible diagrams. Here's another one, just for you, Rae!

We had ~3,000 votes on the issue of whether story 1 was by a human or AI. This fell fairly smoothly to 1,129 votes on the rating of story 8. 

So, when it came to choosing, on average the public got 3 wrong, 3 right, and couldn't decide on 2. I.e. they're no more effective than a coin toss!

Two of these were too close to be statistically significant, but in some cases the votes were quite certain. A sizeable majority of people thought my story was human authored and a sizeable majority thought Janny's story was AI authored. So it's not that people don't have strong opinions/instincts ... it's just that they're no more likely to be correct than tossing a coin.

I asked (a new session) of ChatGPT to guess which ones were AI and it didn't do a good job either, despite generating them.


And the scores on the doors?



And here the bad news is that the AI scored better than us. Not only was the highest rated story an AI one, but they scored higher on average too.


I asked the authors to do the test themselves. Only one has got back to me at time of posting.
That author made five guesses, four of which were wrong, and listed as their top two stories ... two AI generated ones...


Conclusion

First off, let me repeat my disclaimer about this not being a scientifically rigourous test.

Given that:

On the short scale it seems likely that people, on average, can't tell AI from human when it comes to fantasy writing.

If you got 6 right out of 8 ... well there's a ~15% chance of getting that result (or better) by chance, so rather than 15% of us patting ourselves on the back, we really we have to look to the bulk statistics for answers. And they don't look good.

In terms of enjoyment ... in this test the AI won.

Can AI generate a better book than Robin Hobb can write, absolutely not. Might it one day generate a book that would do better than one of hers in terms of sales and public acclaim? A few years ago I would have said 'absolutely not', at least in my lifetime. Now, it seems like a possibility, though hopefully an unlikely one (again - in my lifetime).

Should AI generate fiction, imagery, voices etc competing with artists in a number of fields and fooling the public. No, of course not. I hate that idea and most people do too.

Will it happen? It's already happening. Wherever anyone can circumvent skill and heart and just profiteer off a new technology, they're going to do it. People threaten people with knives in the street for a few dollars - are people going to try to sell you AI books ... of course.

I want AI to cure diseases. That's mostly it. But it looks like it was one of the belated escapees of Pandora's Box, and we're not going to be able to put it back.

Will I ever use AI to write anything (other than the bits of flash fiction in these tests). No.

Will I ever read AI fiction for pleasure. No. To quote someone wise: If nobody could be bothered to write this, why should I bother to read it?

It's a pretty grim outlook though, especially for new and future authors.


I had always felt that to write a great book that looked at human issues and offered insights, emotion, and enjoyment, would require an actual human, and that we wouldn't reach the point where a computer could do it any time soon.

I now wonder, if (and it's still a significant if) we get there ... will that mean that the AI is intelligent, alive in some sense, worthy of respect and rights? Will we have created an intelligent lifeform in lieu of going off into space and finding one? And is that a wise and/or moral thing to do?

It's a huge shock to me that fiction which, in this test, scores higher than great authors who write wonderful stories full of soul and heart and wit and intelligence, can be generated by the multiplication of a relatively small number of not particularly large matrices. On the face of it it undercuts so many things we value about being human.


There are many ways to argue against being too disheartened by this sort of thing. I advise you to seek them out. The future feels like a scary place right now, but I hope that, as far as the creative arts are concerned, AI runs up against a wall very soon and efforts are directed into doing tasks that benefit humanity rather than undermine it.













Friday, 15 August 2025

So ... is AI writing any good? .... PART 2!

So ... is AI writing any good?


Two years ago I asked the same question and pitted 4 good authors against ChatGPT 4 in a flash fiction head-to-head. You can check out the contest here


The headline of the conclusion I posted then ran thusly:

"Given that these pieces were written by authors with thousands of sales (two self-published, two with traditional publishing deals as well), and that many of the people voting are also writers... the inability to decide on the majority of these examples is worrying.

Moreover two of the top three rated pieces are AI written (a very small margin on the 3rd, likely not significantly ahead (or behind) human-written pieces 1 & 10).

AI art has come from laughable to contest-winning in about 2 years."


In the meantime 2 years have passed and ChatGPT 5 has arrived!

So, I am doing it again to see where things stand. This time I've convinced a number of very accomplished authors, who you will have heard of to provide the human-authored contributions.

Note: we're doing flash fiction because it's where AI does best. I recently read (because it was misrepresented to me) an AI written book and it was awful. But page by page, it wasn't terrible. Over the longer term AI repeats and loses the plot.

Also note that being a great author of books does not automatically make you a great writer of flash fiction - we practice the long form a lot, the short form ... not so much. All of these authors were very good sports to agree to my ask. The only one who passed on the chance did so because - in their own words - "Short fiction really isn’t my forte.".

This blog post is a genuine attempt to investigate where things stand with AI writing.

It is not beating the drum for AI or advocating its use.


It is simply asking whether there is currently any format of fiction where readers are unable to tell whether the text they are reading is written by a machine or by an accomplished author. 

There's clearly a lot of suspicion, fear, and annecdote about this subject and whilst I feel that I can tell if a piece is AI written or person written ... I don't know it for a statistical fact. 

Obviously the scope of this investigation is limited and the results rely on the good faith of those taking part. It's not a proper scientific study, which would ideally take place in a far more controlled setting with larger numbers of both text piece and testers.


But - reading takes time and I'm asking you to invest several minutes here, so I don't want to exceed your willingness to engage with the process.


Below are 8 pieces of flash fiction, all of them ~350 words. All of them were written to the prompt: "write a piece of fiction based on 'a demon'" - for the AI there were additional very brief suggestions concerning tone &/or setting to generate variety, an example might be "make it romatic and set on a cliff top".

I have prompted the AI to use rude words, em-dashes and such on occasion in some of the pieces. And if you were going to decide the case based on bad language or grammar quirks, we've already lost. Please base your selection on the quality of the writing and your belief that a human was behind the keyboard.


these pieces were written by writers with significant experience whose books have many readers. They were written fairly quickly and don't represent the writers' finest work, but they were taken seriously and not written off-hand or carelessly.

some of the pieces were written by ChatGPT 5 with minimal prompting

Maybe also make a note of your choices so that, when the answers are revealed, you don't have to rely on memory.

I won't reveal the author names at this stage as I don't want you hunting for their style. 

5* is best. 1* worst.


The results are here - it would be pointless to look at them and then vote with that knowledge because I'm not updating them. But do give the test a go and see how you fared!


Story 1

Mathin was born to the river folk, rooted on an island because, stories claimed, a curse kept the demons from walking across water. None questioned their lot. Life on the riverbanks passed them by, in barges and the toy-sized plod of beasts and wagons. Boatmen came and went, their goods bartered for fish the men netted on foot in the shallows. Mathin and his kin lived in tranquility, isolated by settled tradition.

Winters were mild, the swift current too deep to freeze solid. Lamentable drownings took those brash youngsters who strayed onto the treacherous ice.

At ten years of age, loudly fractious, Mathin belittled the granddam’s belief. “Demons!” he smirked with a swagger. “Do such terrors even exist?”

Rumor suggested the mainland villagers shared his dismissive contempt. Children’s tales whispered long nights by the hearth were but myth, unsubstantiated by a living witness. When merchants desired a trestle bridge, joining both shores by way of the island to access the roadway on the far side, their proposal sparked interest.

The old wives muttered, fearful of change. Yet fabled threats paled before the headier promise of wealth. Grown strapping in his discontent, Mathin clamored for better prospects than tedious fishing, waist deep in fast water.

A plank bridge was built during summer, with Mathin driving the nails alongside the whistling laborers who secured the last span. A village festival welcomed the first, eager islanders who stepped onto the riverbank with dry feet. The young mingled, dancing and feasting by roaring bonfires into the night. Left behind, the old wives barred their doors and huddled in trembling dread.

Tipsy with the celebrants on the mainland, Mathin reeled to a sharp pang of ravenous hunger. When his hands sprouted talons and bestial scales, he watched the bold friends who had trodden the bridge alongside him grow spiked tails, then forked tongues, vicious fangs and sharp teeth. Screams greeted the tearing of human flesh, soon silenced by the hideous shredding of organs.

Thus, demons enticed to walk over the water escaped the restraint meant to safeguard the innocent from their ungodly predation.

 

Was it AI?                 Vote.

How good was it?     Vote.



Story 2

The warrior archangel banished his sword and swept into the cell. It was an almost featureless white space that appeared to have no limit in any direction, except ‘down.’ ‘Down’ was a white marble floor.

The creature in the space was large and hideous, with features disfigured by suppurating wounds, a bloated body, a huge erection, and, of course, cloven hooves at the end of its misshapen legs.

As the warrior angel entered, the demon looked up, grimaced, and defecated.

‘Tell me your name, prisoner,’ the angel said.

‘Sod off, dickhead,’ the demon replied.

The angel conjured a chair and sat in it, their magnificent white wings elegantly managed, folding perfectly, as if to contrast the loosely muddled red bat wings of the demon, which sweated a yellow bile.

‘Have you been unfairly treated, prisoner?’ the angel asked.

The demon let loose a long fart, sniffed the air, and then said, ‘How do you arsehats do it?’

‘There’s a constant breeze. Perfumed, if you so desire.’ The angel spread their beautiful hands. ‘We can give you anything you like, you know.’

‘Anything? Look, you elegant fascist. Give me freedom. Freedom to do anything I want.’

The angel leaned back. ‘Isn’t that what got you into trouble in the first place, brother?’ they asked gently.

The demon leaned over and licked its rear end clean, and then looked up, its damaged features radiating annoyance. ‘If you folks make enough rules, eventually, someone is going to get their knickers in a knot, aren’t they?’

‘Arson? Murder? Slavery?’ the angel said. ‘Intolerable.’

‘Hypocrisy? Self-righteous bullshit? Endless propaganda?’ The demon laughed.

‘That’s people. Those are humans misunderstanding–’ The angel suddenly sat up, realizing they were being drawn into discourse with a demon.

The demon stretched itself and for a moment had the height and posture of the angel, if in an uglier form. ‘I’m a rebel angel,’ he said. ‘It’s what I do. I rebel. Deal with it.’


Was it AI?                 Vote.

How good was it?     Vote.

 


Story 3

The demon didn’t knock. It tore the chapel doors off their hinges and flung them into the pews.

Father Aldric barely had time to drop his rosary before the beast was on him – eight feet tall, skin like charred leather, claws like sickles. It grinned, steaming breath curling from its fangs.

“Fuck,” Aldric whispered. “You’re real.”

The demon laughed – a horrible sound, like bones grinding under iron. “God stopped listening. Time to pay for all the prayers you wasted.”

Aldric pulled the blade from beneath the altar. Not blessed. Just sharp. "Then come take your tithe, bastard."

They clashed in a blur of claws and steel. Pews shattered. Statues wept blood. Aldric took a slash across the chest but drove his dagger into the demon’s thigh, twisting hard. The thing roared and slammed him against the wall, cracking stone and ribs alike.

“You think pain scares me?” Aldric coughed, blood in his beard. “I’ve seen worse in confession.”

The demon snarled and lunged.

He ducked, barely. Shoved a candleholder through its eye.

It howled, staggered back – but didn’t fall.

Aldric stumbled to the altar, ripped open the floorboards. A second blade, silver this time. Stolen from a hunter who never made it out of the woods. Maybe blessed. Maybe not.

“You’re just a creature,” he growled, “not a curse. You bleed.”

“I feast on souls,” the demon hissed.

“Then choke on mine,” Aldric said – and charged.

Steel met sinew. Flesh burned. Blood splashed across broken icons.

They fell together.

When the villagers arrived, the chapel was a ruin. Smoke curled from its windows. Inside, they found Father Aldric slumped atop a dead monster, its skull split wide, holy symbols scorched into its chest.

The priest’s heart had stopped.

His hand still clutched the blade.

And on the wall behind him, scrawled in ash and blood:

“Don’t pray. Fight.”


Was it AI?                 Vote.

How good was it?     Vote.

 

 

Story 4

The village of Dreln clung to the edge of the ash-black cliffs, where the old tales said a demon had been chained since before men learned fire. Most villagers dismissed it as superstition, though none ventured near on moonless nights.

Taren, the miller’s apprentice, knew the voice was real. He had heard it in his dreams, low and slick, whispering promises that made his skin prickle. On the last night of autumn, he followed it into a cave yawning in the cliff face.

Inside, the air reeked of rot and hot metal. The torchlight caught on chains wrapped around something tall, red-skinned, and crowned with curling horns. Gold eyes burned in the dark.

“You came,” it said, lips curling back from teeth like needles.

“I wanted to see if the stories were true,” Taren said.

“They are,” the demon purred. “I will give you more than truth. Strength. Riches. Women who will spread their legs until your cock aches. Men too, if you crave them, bending over for you like beasts.”

Heat flushed Taren’s cheeks. “And what do you want in return?”

“Break my chains, and I will be yours to command. Every rival will crawl. Every night you will bury yourself in flesh until the bed breaks beneath you.”

The thought was a fire in Taren’s head. His hand went to the lock, trembling.

The iron hissed at his touch. The chains slid to the ground.

The demon stepped forward, wings stretching wide enough to blot out the torchlight. “Ah. Free.”

“You promised you’d serve me,” Taren said.

The demon’s smile widened. “I promised you what you wanted to hear.” It gripped his throat, claws pricking the skin. “I will fuck this land raw. I will fill every mouth with my name. You will watch as I take my pleasure in every hole this world offers, and when it is empty, I will take yours.”

Taren gasped as the dark swallowed him. His last thought was that the demon’s voice was still whispering, still promising, and part of him still wanted to believe.


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Story 5

The first time I saw the 'demon' it was leaning against the glass at the bus stop, idly licking the condensation as if tasting the air for secrets. No one else noticed. The city hurried past in wet coats and glowing headphones.

It wore a second-hand suit the colour of overripe plums, its cuffs frayed, its tie loosened like an afterthought. Its eyes were the red of brake lights caught in rain, the kind that linger in your vision long after you look away.

“Buy me a coffee,” it said, and the request was not a request.

We walked to the corner café. The demon ordered a flat white, stirred it three times clockwise, and drank half before speaking again.

“You are tired,” it said. “You are afraid. I can take one of those away.”

It smiled in a way that made the lights above us flicker.

I thought about the months behind me: the sleepless nights, the rent overdue, the inbox like a swelling tide. I thought about the way my reflection had begun to look like someone else’s face.

“What do you want?” I asked.

The demon traced a finger along the rim of its cup. “A name. Spoken aloud in the right place. That is all.”

I should have left. Instead, I asked, “Whose name?”

It told me. The syllables rolled across the table like marbles, impossible to hold on to, already slipping from my mind. My tongue ached to repeat them.

When I spoke the name, the café windows fogged over. Outside, the rain stopped in midair, each drop quivering as if listening.

The demon finished its coffee, left coins on the table, and stood.

“Thank you,” it said. “You will sleep tonight.”

I did. I woke to a city where the sirens did not sound, where the morning news showed an empty chair behind the President’s desk, where the air smelled faintly of plum skins and burnt sugar.

On the street, people were whispering, each voice carrying a name I could not quite remember.

 

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Story 6

 Possession gets a bad rap among humans though most don’t pay much heed to the idea until it actually happens to them. Then it’s all, “My head’s not supposed to turn 360, wah, wah, wah!”

After a while, once they understand that complaining isn’t getting them anywhere and we’re going to carry on eating the baby regardless, many suddenly become armchair lawyers.

“This is my body!” they say.

“You’ve no right!” they say.

And even though we demons are chaotic bastards at the best of times, and even though possession is nine tenths of the law anyway, I do pay attention. You see, the thing is, they’re almost right. A demon can only take possession of a body from the owner if they die – zombies, ewww – or if they purchase the body from them. And let me tell you, many humans have a very inflated opinion of their body’s value. No, you’re not swapping it for a date with Beyonce.

However, most humans are not in fact owners. They’re tenants. Some or other ancestor has come to a deal, generations back, and perhaps they really did get a date with Helen of Troy or Rudolph Valentino out of it. And tenants can be evicted for all manner of reason. Failing to pay the rent is the least of it. There’s mistreatment of the property, vacant possession, illegal activity on site… Some bodies even have historical importance and can’t be remodelled. If you’re the descendant of someone with a famously large nose and you decide to have that chonk of a conk downsized, you could be violating your tenancy agreement.

In your case it’s just that haircut. You’ve defaced the property. Mary told you you look like an idiot, but you kept the mullet and here we are, writing cryptic shit on the walls in your own blood.

 

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Story 7

It was a damp Tuesday afternoon when Mr. Penrose discovered a demon perched upon his writing desk, tapping its clawed fingers on the wood as though composing a symphony of mischief. The creature was small – no taller than a teapot—but its eyes glimmered with an unsettling intelligence, the kind that made one feel both admired and mildly endangered.

“Good day, sir,” the demon said, bowing so deeply its tail swept a pile of letters to the floor. “Might I trouble you for a cup of tea?”

Mr. Penrose coughed into his sleeve. “A cup of tea?” he echoed. “You – you, a demon, seek refreshments?”

“Indeed,” it said, smiling politely. “And a biscuit, if you please. My contract states I must appear fearsome—but no one ever mentioned deprivation of snacks.”

It was difficult to reconcile the tiny horns and wicked grin with the creature’s evident fondness for Earl Grey. Mr. Penrose fetched a cup and, with trembling hands, offered the biscuit plate. The demon accepted them with all the ceremony of a visiting dignitary.

“Now, sir,” it said, licking its fingers, “I have a small request – rather urgent, I fear. You see, my superior—an irritable demon of some repute—demands I locate a copy of Pride and Prejudice bound in green leather, and you, by sheer coincidence, possess one.”

Mr. Penrose blinked. “My copy? The one on the shelf by the window?”

“Yes,” said the demon, balancing the biscuit on its nose for dramatic emphasis, an impressive feat, though ultimately disastrous when it toppled into his tea. “Time is short, and failure carries… unpleasant consequences.”

Somehow, by the grace of improbability or perhaps the peculiarities of demonic bureaucracy, Mr. Penrose produced the requested volume. The demon clutched it to its chest, gave a curt nod, and vanished in a swirl of smoke and a faint scent of burnt scones, leaving Mr. Penrose to wonder whether the entire affair had been a figment of imagination, or merely the most civilized encounter with Hell he would ever endure.


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Story 8

 “I’m disappointed.” Richard focused on his fourteen-year-old daughter but noted the reactions of her two friends. Cindy had been Jessica’s friend since kindergarten and she looked properly rebuked. Evory was new to Jessica’s school this year and wore a supercilious smirk at his words. He ignored that for now.    

“Jessica, you know the rules. Having friends for a sleepover doesn’t change those rules. Now there’s a mess to clean up, and it’s not going to be easy. So I’m going to phone parents and ask them to pick up Cindy and Evory.” He spared the two guests a lingering look. Tears had sprung into Cindy’s brown eyes. Evory crossed her arms on her chest.

The new friend spoke coldly. “Don’t bother. I rode my bike. I can get myself home.”

She turned away. Richard cautioned her, “It’s dark out. “

She kept walking. He heard the door open and close.

“Her bike has a light,” Cindy volunteered. “Please, Mr. Chase, don’t call my folks. They went to the movies. Date night.”

He drew a breath. “You go upstairs then. Get to bed. Jessica and I have work to do.”

Cindy paused at the foot of the stairs and called back, “I never believed in that stuff. If I thought it was real, I wouldn’t have done it. I’m sorry!” He heard the thunder of her fleeing steps on the stairs.

He sighed and gestured at the kitchen table. A thin trail of foul-smelling smoke was still rising from the Ouija board. He gestured at the scorched letters and ruined planchet. “That was your grandmother’s. I thought you were old enough to respect such a gift.”

“I’m sorry,” Jessica spoke softly.

Richard knelt and opened the cabinet and pulled out the hidden drawer. He spoke as he set tools on the table. “Holy water. Silver knife for me, silver knife for you. Net of cold iron. I hope it’s enough.”

A guttural laugh came through the basement door.

“Time to clean up,” Richard said quietly. 


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